Nut Ink. Mini reviews of texts old and new. No fuss. No plot spoilers. No adverts. Occasional competency.
Showing posts with label Captain Britain. Show all posts
Showing posts with label Captain Britain. Show all posts

Wednesday, October 14, 2015

Revolutionary War (2014)

Authors: Andy Lanning / Alan Cowsill / Kieron Gillen / Rob Williams / Glenn Dakin / Brent Eric Anderson / Tom Palmer / Richard Elson  ||  Illustrators: Richard Elson / Dietrich O. Smith / Will Sliney / Nick Roche / Brent Eric Anderson / Tom Palmer / Ronan Cliquet / Gary Erskine / Richard Elson  ||  Page Count: 192

"I'm so tired. I've made mistakes. I wish they mattered."

A revival for a number of original Marvel UK characters after a staggering twenty year absence from the shelves! They first appeared in a bi-weekly anthology called Overkill that dared to go up against 2000 AD. It was a valiant attempt, but they were forced to call it a day after just 52 issues. (I have the original series from way back then. Someday I'll maybe venture into the eldritch wardrobe, unearth them from their resting place of two decades and do a retrospective.)

Seeing them return for an eight-issue miniseries gave me warm fuzzies, but there's a sour downside, a surreptitious reason for their timely return. It isn't just a loving way to mark an anniversary, it was a toe-dip in the water to see if it would be possible to introduce them into the larger Marvel Universe; i.e. The American market. They brought the Overkill heroes back hoping to throw them into a pool of withered storytelling that's overflowing with spandex and fan-wank. That crushing realisation comes in the first few pages and it puts a dampener on the revisit. Damn you, Marvel, for doing what you have every right to do.

The crux of the story: the Mys-Tech Organisation that years before was a thorn in the side of every one of the characters is attempting an aggressive comeback. For Dark Angel that's a deeply upsetting prospect. The debt she inherited as a result of the Faustian deal between Mys-Tech and Mephisto was one written in perpetuity. If the Corporation return they'll upset the dubious balance that she struggles to maintain and the world could become a playground for techno-mage ambition. (That would be worse that the current government?)

The first and last chapters provide a catch-up and resolution to the overall series, respectively. The six bookended chapters wisely narrow their focus primarily to one hero/duo/team. Dark Angel was one of the strongest pillars of the original comic, so it's right that she should feature prominently, but juggling the small in the large is a difficult task for any writer, meaning some of the other interesting characters get criminally overlooked. One or two are absent completely.

If you're a fan of the Overkill comic, be prepared for your reintroduction to be as messy and hurried as many of the other recent Marvel 'events'. If you're new to the whole thing, then it's possible you'll be underwhelmed and slightly confused.

The book contains all eight parts of the Revolutionary War miniseries: RW: Alpha; RW: Dark Angel; RW: Knights of Pendragon; RW: Death's Head II; RW: Supersoldiers; RW: Motormouth; RW: Warheads; and RW: Omega. That's also the order they're designed to be read if you have them as single issue one-shots.

2½ metres below the Museum of Pagan Antiquities out of 5

Wednesday, August 15, 2012

Captain Britain (2002)

Author: Alan Moore | Illustrator: Alan Davis | Page Count: 208

I hit one of you and ten of you get nose-bleeds!  What are you people?

Alan Moore’s only work for Marvel was for the Marvel UK imprint.  For too short a time he took over author duties of the unimaginatively named Capt. Britain.

The bearded-one plays it safe for the first few issues, but Moore being Moore means he can’t contain himself for very long.  Early in his run he chucked the manual out the window, rewrote the character’s origin story in a convincing manner, making the manipulative Merlyn and his daughter Roma much more instrumental in decision making, and turned the Captain into a fully fledged Moore-esque character.  It was exactly what was needed to revive the series.  At times it feels like an episode of The League of Extraordinary Gentlemen.  He even slips in a quick vision of a dystopian England, much like his V for Vendetta.

It’s very British; The Captain gets deeply frustrated when things don't turn out as expected, and characters display the quirks that define the quintessential Englishman.  However, rather than reinforce stereotypes, it succeeds in turning them into comical strengths.  More than once I found myself in hysterics at the behavioural traits of the group.  The villains are equally ridiculous, with names to match: The Omniversal Majestrix Saturnyne; the Special Executive; the Avant Guard; and Jim Jaspers—with a name like that it sounds like he should be teaching high school Chemistry, not destroying entire worlds.

As the scripts got more insane so too did Alan Davis’ panels grow more adventurous.  Some of the expressions he uses are fantastic.  It’s refreshing to see someone break from a regular routine and admirably rise to a challenge.

The book is noteworthy for also featuring the first purple-haired appearance of the Captain’s twin sister, Betsy Braddock, who works for the British version of S.H.I.E.L.D, called S.T.R.I.K.E.  You may know Betsy better as Psylocke of the X-Men.

The book collects together stories from Marvel Super-Heroes (UK) issues 387 - 388, Daredevils issues 1 - 11, and Mighty World of Marvel V2 7 - 13.

4 superhero pip pips out of 5