HR Giger's Film Design (1996)

Author: H.R. Giger | Illustrator: H.R. Giger | Page Count: 138

'[H]oles of all description, holes in the ground, holes in the head, ass-holes, etc. I'm still not sure what they were for but they're great nonetheless.'

William Malone

H. R. Giger's Film Design is a large format book that offers an insight into the artist's film projects. Much of it will already be well known to fans, his work on Dune, Poltergeist II, etc, but knowing about a thing and exploring the genesis of a thing are very different experiences.

It covers a wide range of work, from short films, lengthy personal projects to music videos and even furniture building. But the real treasure is when it goes into detail about the films that didn't make it past the design stage. There's one in particular that has the potential to equal David Cronenberg at his most bizarre; it's both repulsive and tantalising in equal measure. The only problem is the budget required to do it justice could buy a small country. In truth, I'd rather it never get made than get it half-assed.

There's a lot of space devoted to his involvement with the Alien franchise. Seeing him working on models and sculpts, getting a sense of scale, and seeing the evolution from sketch to 1:1 model is fascinating. The film was his most commercially successful from a production design point of view and is the one that stuck most faithfully to his designs. You'd think that thick-as-shit Hollywood producers would have made that connection by now. Instead they pay him for sketches and then continually change them to better suit their own weak ideals.

Which brings me nicely to the only negative aspect of the book. There's some duplication with the similarly sized Species Design volume that came out the same year. If you already own it, then you'll be able to skip that chapter.

5 good intentions out of 5

Species Design (1996)

Author: H.R. Giger | Illustrator: H.R. Giger | Page Count: 86

"I cast worms in silicon …Instead, in the film, reddish brown computer-generated sausages burst out (but very quickly, to hide the computerised embarrassment)."

Large format coffee table book, about the size of an LP, that doesn't fit on any of my shitty Argos flat-pack shelving.  It’s full of HR Giger illustrations, primarily the early stage concept sketches that rarely get released to the public, most of which are black ink on paper.  Giger’s sketches have an almost obsessively hurried appearance.  Seeing what he had envisioned for the creature, that didn't make it into the film, is the only reason to purchase this.  If you’ve seen the film you may remember Sil's dream, with the train?  Probably not, it was brief.  Giger put a huge amount of work into the train, even building a working scale model from animal bones, PVC, wood and metal at his own expense.  The studio gave it a mere 8 seconds of footage in the final product.  Had it remained as he envisioned it could've been spectacular, perhaps even the highlight of the whole damn thing.

His association with Hollywood hasn’t been a pleasant one over the years so it’s nice to get something from his POV.  However, at times he uses the book as a platform for his grievances about the Hollywood machine.  It's either a man having a bitch-fit, or an artist whose vision was cruelly compromised getting a cathartic release.  Either way, it borders on the depressive.  I felt so very sorry for him, and wondered why he took such treatment from the money-whores.  I have my suspicions but you’ll maybe discover that for yourself upon reading.

Alongside the aforementioned sketches are colour photographs of the animatronic puppets used in the production, and lots of stills from the film which are either there contractually or as filler.  If you have an unfilled need for a deeper insight into the creation of the best part of the film, the book will give it.  I just hope you have some oversized shelves to house it on.  Don't go to Argos for them.

3 all aboard the penis train to a Swiss pervert’s dreamland out of 5

H.R. Giger Tarot (2000)

aka: Baphomet: The Tarot of the Underworld

Author: Akron | Illustrator: H.R. Giger | Page Count: 223

This is the usual Tarot package, which means it’s a book giving details of readings and spreads and a deck with which to use. The cards are beautifully presented, large format card but totally impractical for use; nor is it a full deck, it’s just the Major Arcana. Worse, some of them have been changed. The Hanged Man is now The Hanged Woman, to better represent the painting Akron has chosen, and Temperance has become Alchemy. It doesn't really matter as they weren't painted to commission; like I said, they were simply chosen, the paintings existed before the book was conceived and have none of the traditional imagery or symbolism necessary for the user.

I've no doubt Giger could have produced a fundamentally different Tarot if he set his mind to it, one which included the necessary symbolism and still managed to maintain his sexually fuelled nightmarish imagery.  The book includes a chinagraph pencil sketch for each of the 22 cards, most of which would have been better suited to the purpose had they been fully painted.

After a brief introduction wherein Akron gives his reasons and justifications for using the paintings, he gives his interpretation of the meanings of the cards. Some of Akron’s writings are deep and insightful; had the book been written as a mere observational piece it could have been fascinating.

I know there are people that collect decks regardless of their usefulness, so for those people, and especially for fans of Giger, it’s an interesting package.  The collection is available in the German or English language.  It contains: a soft cover book by the occultist Akron, 22 fully illustrated Tarot cards and a spread mat for laying the cards on during readings.

If you want a proper Tarot deck get the Rider-Waite deck, not this.  I'm scoring this from a Giger fan POV and ignoring the lack of practicality.

5 biomechanical phallic disturbances out of 5