Nut Ink. Mini reviews of texts old and new. No fuss. No plot spoilers. No adverts. Occasional competency.
Showing posts with label William Blake. Show all posts
Showing posts with label William Blake. Show all posts

Thursday, March 12, 2015

Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul (1789-1794)

Author: William Blake  |  Page Count: approx 50 

“Love seeketh not itself to please, nor for itself hath any care, but for another gives its ease, and builds a Heaven in Hell's despair.” 

The book, as it’s collected here, was originally written in two parts: Songs of Innocence was published in 1789, with Songs of Experience following in full five years later.  The first is closely tied with the conventions of Romanticism; the second is dependent upon the same but for very different reasons.

It’s unknown if Blake always planned to have Experience follow Innocence, or if it was a result of Innocence failing to sufficiently shake the system, heightening his need to push further buttons.  Either way, the two books work in tandem to express an opposition to each other and to cement an idea.

The relationship between the unity and harmony that’s evident in Innocence is contrasted with a breaking away from unity in Experience.  The resultant fall from grace and abandonment of harmony giving rise to the social inequalities and human injustices of the day.  The contrast is evident not just in the poems’ titles but also in the imagery depicted within them and the illustrations that accompany each one.*  A reader wanting to attempt an understanding of the work needs to appreciate all of those aspects, and be aware that it'll require repeated readings before you're versed enough in the antithetical devices to give a proper critique.

The poet remarks on the things that used to connect us, saying they've become the very tools that others use in order to control us.  In that respect, you can’t fail to notice the political stance he took in regards to work practices of the era, highlighted by his use of children, themselves often cited in literature as an enduring epitome of innocence.   Indeed, the concerns of the first book seem initially childlike, the presentation simplified, but within it are darker moments telling what could happen should the state be abandoned.  Likewise, the second book has moments of beauty reminding us of what we've lost.

You could argue that Innocence is nothing but idealism and self-sustaining naivety; its opposite being Experience, with the woollen blanket pulled back the harsh truth of the world is revealed.  You're free to make that choice.

It seems there are some benefits to being perceived as a madman.  You can give a voice to a way of thinking that others fear to even admit to, lest they attract the attention of the very men responsible for the cruelty that Blake condemns.

4 immortal hands out of 5

*If you want an example, The Ecchoing Green [sic] is positioned third in Innocence, whereas The Clod and the Pebble takes that same spot in Experience.  There are many, many more examples with varying degrees of opacity.  Discovering them for yourself is part of the fun.

Monday, November 28, 2011

The Marriage of Heaven and Hell (1793)

Author: William Blake | Page Count: approx 48

"As the air to a bird or the sea to a fish, so is contempt to the contemptible."

Marriage… is William Blake’s romantic (in the poetic sense) and satiric attack on orthodox religious beliefs presented as a kind of biblical passage, with a socio-political and historical binding holding it together. It describes the poet’s visit to hell and the knowledge and assumptions he receives whilst there. It's a short book but one of the most complex pieces of literature I've ever read. I've read it three or four times a year for about five years now and I still feel like I've barely scratched the surface of its esoteric, complex and iconoclastic mysteries.

Blake reverses the traditional standings of good and evil and the beauty and hideousness of heaven and hell, blurring the line between what is perceived good and proper and what is believed to be controlling and bad for the individual. It’s the poet-prophet ideal in its most scathing and reverential form, told from a number of perspectives and in more than one voice. He references Dante and even playfully(?) mocks Milton.

The Proverbs of Hell passage is perhaps the most visceral and misunderstood element of the work and is the part that vexes and intrigues me the most.

A number of beautifully crafted full colour illustrations complement the prose; they were etched in relief directly onto plates by Blake himself and initially printed at his own expense.

The work is freely available online to read for free, both from the William Blake Archive and other places if you prefer not to install the required plug-in, but I would urge you to seek out a site that also reproduces the illustrations, because not all of them do.

5 apple trees and tarot totems out of 5

EDIT: The University of Adelaide has an attractive ebook edition that contains the original illustrations followed by an easier to read text. You can see it HERE.