Nut Ink. Mini reviews of texts old and new. No fuss. No plot spoilers. No adverts. Occasional competency.

Sunday, February 2, 2014

The Dark Tower: The Gunslinger Born (2007)

Author: Peter David / Robin Furth | Artist: Jae Lee | Page Count: 240

See the gunslinger now, in his youth, with the shades of young men who have little concept of their mortality.’

The first collection (issues 1-7) that brought the life of Roland Deschain to the comic book medium. It was researched and plotted by Robin Furth, and then turned into a comic script by Peter David. It uses Stephen King's language as much as possible but it's been streamlined to fit the format. It's no lazy cash-cow milking session of an existing IP with an inbuilt audience. It's a genuine work of art in its own right deserving separate appraisal.

Much of The Gunslinger Born is taken from events revealed in Book IV: Wizard and Glass (1997). It's possible to read the comic without having read the novels, but I view them more as a companion piece to be read afterwards. If, however, you are entering Mid-World for the first time, and may someday want to delve into the source novels, I recommended you skip Ralph Macchio's written introduction in the book because he drops a very real spoiler of something that didn't (or won't) happen until book VI: Song of Susannah (2004).

For the first time ever, Roland's story is presented in chronological order. He’s fourteen-years-old at the beginning, not yet a gunslinger, still under the tutelage of the brutish but experienced Cort. His personality is already well-defined but his long, arduous journey toward the Tower has yet to begin.

The events that push him into his coming-of-age trial are detailed beautifully. It depicts and explains his anger and feelings of abandonment. We're introduced to the people that played an instrumental role in shaping him: his parents; his tormentor; and the original ka-tet of Roland, Alain and Cuthbert. It was a joy to see the latter two get the attention they deserved.

Jae Lee's art is masterful. There's a collection of sketches at the back of the book that show just how amazing it was before being coloured. His lines have a real beauty of their own, even in their non-inked form. Richard Isanove's colouring is flawless. It's almost too perfect, like an airbrushed celebrity magazine cover, but it's steeped in deep blacks that throw everything into a terrifying contrast.

5 bullets that hit true out of 5

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